Medieval mystique meets modern love.

Mabel O. Wilson on architecture and Blackness.

Andi Owens, GS ’63, on Aeschylus’s Agamemnon, Harlem walking tours, and being Black at Columbia in the ’60s.

A look inside New York’s hottest and most contagious deal.

Professor couples on their marriage of the head and the heart.

Under Chegg’s corporate strategy, student insecurity is a marketable good.

By Samantha Sacks I remember seeing Alexandra Waterbury, G.S. ’21, for the first time at the water fountain outside studio 1 in Barnard...

Robo-poetry reveals the shortcomings of AI—and our need for human M4M submissions.

An extended inquiry into Columbia’s coveted pile of oddly untouchable gold.

A year on Columbia Debate Society.

Revisiting a childhood film favorite with less unworldly eyes.

Columbia graduate workers cry out for change.

In Resnais’s classic, ephemerality is beautiful, even life-saving.

In its first hybrid show, Barnard theater tries to breathe again.

A conversation with Professor Sandra Goldmark on sustainability, art, and repairing “stuff culture.”

Climate activists and academics on Columbia's long-awaited divestment from fossil fuels.

Bernard Harcourt on critical praxis and abolition.

You, me, and everyone else’s Substack newsletters.

Black and South Asian students confront a nation as Kamala Harris enters the West Wing.

In which Columbia’s piteous are offered sage advice.