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Chalkboard Stalker
Looking for wisdom in empty classrooms.
Will Lyman

Giraffes, Satan, and St. Michael—Oh My!
An art-historical look at the Peace Fountain.
Becky Miller


The Scaffolded City
Confronting New York's sidewalk sheds. By Justin Liang Surely it must be classed among the seven wonders of New York, alongside the...
Justin Liang

Aibel Relabels
Regarding Columbia's greatest failure. By Alexander Aibel To be quite honest, though I’ve been here for over two years, I haven’t entered...
Alexander Aibel


Much Overdue
On doing away with library fines. By Muni Suleiman I have always had a complicated relationship with the library. Even before I could...
Muni Suleiman


In Loving Memory
Reading Riverside Park's benches. By Will Lyman On a meditative walk through Riverside Park, I came to the realization that a lot of...
Will Lyman

Come On You Spurs
Tears, Tottenham, and the beautiful game. By Victor Omojola In September 2013, when Dejan Lovren scored a 53rd-minute goal to beat...
Victor Omojola


Cocktail People
On spritzes two ways, elderflower and Negronis, Fireball and Jameson.
The Blue and White Magazine


Discarded Afterlives
On the life cycle of trash.
Emily Bach

Molding Mentalities
Reflections on mentorship in the University.
Anouk Jouffret


Unleashing The Beast
One writer tests the best sources of caffeine on campus, so you don’t have to
Cat Flores

Excavating Grief
Revisiting 9/11 through archaeology.
Kelsey Kitzke


Poems Are Made by Fools Like Me
When first-place prizes go to second-rate writing.
Cy Gilman

Aiding and Abetting
Preceptors make Zoom class possible—but what exactly do they do?
Sylvie Epstein

Towers Upon the Hill
Among ever-higher buildings, where do we stand?
Benjamine Mo


Bible Buddies
Missionary at Columbia.
Claire Schweitzer

500 Riverside
A brief history of International House.
Sadia Haque

Anything Goats
On the most important ranked-choice election of the year.
Sona Wink


Returning to Radio
WKCR makes waves a little closer to home.
Victor Omojola

Dark Horses
The grim story behind New York City’s horse-drawn carriages.
Alexander Aibel
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